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رویداد ها - امتیازات
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معنی: مُرَکَّب مایعی حاوی رنگدانه است که جهت رنگآمیزی، رسّامی، طراحی یا خطاطی بهوسیلهٔ قلم یا قلممو بهکار میرود. از انواع مرکّبهای غلیظتر برای چاپ ماشینی و دستی استفاده میشود. مرکّب، ترکیب پیچیدهای از حلّالها، رنگدانهها، رِزینها، روانکنندهها، و دیگر عناصر است. این مواد، نوع و کیفیت رنگ، روان بودنِ آن، ضخامت، و خشک شدن آن را کنترل میکنند.
مرکّب خوشنویسی
مرکب خوشنویسی از مهمترین ابزارهای یک خوشنویس است، و نوع سنتی آن برای کار خوشنویسی مناسب است و از انواع مرکبها، جوهرها، و محصولات صنعتی و نوین نمیشود چندان بهرهای گرفت.
رنگدانهٔ اصلیِ مرکّب خوشنویسی دوده است و مواد دیگری مانند صمغ عربی، زاج، و مازو نیز برای چسبندگی رنگدانهها و قوام یافتن مرکّب به آن میافزایند. امروزه در بازار، مرکب به دو صورت مایع و خشک عرضه میشود؛ مرکّب مایع، آمادهٔ استفاده است، اما مرکّب خشک را باید سایید، سپس آن را در آب جوشیدهٔ ولرم یا گلاب حل کرد. این محلول را باید در ظرف سربسته بهنرمی و در مدتزمان طولانی تکان داد. به این عمل «صلایه دادن» میگویند. صلایه در کیفیت مرکّب و کشش آن بسیار مؤثر است.
در گذشته به مرکب، مِداد یا مَداد نیز گفته میشد، و این نامگذاری بدانجهت بوده که قلم را مَدَد میدهد و کمک میکند تا بنویسد. همچنین، نام «مرکّب» بهایندلیل بهکار رفته که از اجزاء مختلفی فراهم آمدهاست. کلمهٔ «مَداد» به رنگهای دیگر نیز گفته میشود، ولی رنگ سیاه بیشتر بهکار کتابت میآید و به رنگهای دیگر گاهگاه احتیاج میافتد. رنگ سیاه درجاتی دارد:
۱- سیاه مطلق (پَرکلاغی یا حالک)، ۲- سیاه معمولی (قاتم)، ۳- سیاه مایل به خاکستری (سربی یا دَیجُور)، ۴- سیاه طاوسی (مایل به سبز یا مُدهام).
جهت جلوکیری از فسادِ مرکّب، باید آن را دور از آلودگیها نگه داشت و در یا سرپوش دوات را در مواردی که با آن کار نمیکنند، بست، و هرازچندگاهی (حدوداً یک ماه) مرکّبِ داخل دوات را باید عوض کرد. لیقهٔ خوب نیز از خرابی مرکّب میکاهد.
برای رقیق کردن مرکّبِ خوشنویسی آب مقطر یا آب جوشیدهٔ سردشده از آب معمولی بهتر است، و مناسبتر از آن، گلاب یا آب ریحان یا آب مازوست. (مازو برجستگیهای کرویشکلی است که تحت اثر گَزِش حشرهٔ مخصوصی برروی جوانههای درخت بلوط مازو ایجاد میشود. این برجستگیها حاوی شیرهٔ درخت مزبور است که به نام مازو موسوم است. در ترکیب مازو ۶۰- ۷۰٪ تانن وجود دارد، بهعلاوه، مقدار کمی اسید کالیک و اسید آلاژیک و مقداری مواد گلوسیدی و آمیدون. در صنعت، از مازو جهت تهیهٔ مرکّب سیاه و رنگ کردن پارچهها و نیز در چرمسازی استفاده میشود.)
امروزه مرکّب خوشنویسی به دو صورتِ جامد و مایع عرضه میشود. ساختِ مرکّب، روشهای گوناگونی دارد، ولی متداولترین آن، که درمیان خطاطان رایج است، بدینصورت است که ابتدا مقداری دوده (برای رنگ سیاه، و انواع رنگدانههای گیاهی برای رنگهای دیگر) را در آب جوشیدهٔ سردشده حل میکنند و داخل آن زاج سفید میریزند و سپس آن را با شعلهٔ کم میجوشانند؛ سپس آن را آرامآرام خنک میکنند. این روش، سادهترین روش ساخت مرکّب است. البته در بعضی مواقع، زعفران، پوست گردو، و برخی مواد دیگر نیز بهکار میرود.
منابع
در ویکیانبار پروندههایی دربارهٔ مرکب موجود است. فضائلی، حبیبالله، تعلیم خط، تهران، انتشارات سروش، ۱۳۵۶
حاجیآقاجانی، هادی، روش تدریس هنر، کتاب درسی اول راهنمایی، دفتر برنامهریزی و تألیف کتابهای درسیِ وزارت آموزش و پرورش، تهران، ۱۳۷۳. از ویکی پدیا
همچنین: Ink is a liquid or paste that contains pigments and/or dyes and is used to color a surface to produce an image, text, or design. Ink is used for drawing and/or writing with a pen, brush, or quill. Thicker inks, in paste form, are used extensively in letterpress and lithographic printing. Ink can be a complex medium, composed of solvents, pigments, dyes, resins, lubricants, solubilizers, surfactants, particulate matter, fluorescers, and other materials. The components of inks serve many purposes; the ink’s carrier, colorants, and other additives control flow and thickness of the ink and its appearance when dry. Contents 1 Types 1.1 Colorants 1.1.1 Pigments 1.1.2 Dyes 2 History 3 Health and environmental aspects 4 Writing and preservation 4.1 Carbon 4.2 Iron gall 5 Indelible ink 6 See also 7 References 8 Sources 9 Further reading 10 External links Types
Magnified line drawn by a fountain pen. Ink formulas vary, but commonly involve four components: Colorants Vehicles (binders) Additives Carrier substances Inks generally fall into four classes: Aqueous Liquid Paste Powder Colorants Pigment inks are used more frequently than dyes because they are more color-fast, but they are also more expensive, less consistent in color, and have less of a color range than dyes. Pigments Main article: Pigment Pigments are solid, opaque particles suspended in ink to provide color. Pigment molecules typically link together in crystalline structures that are 0.1–2 µm in size and comprise 5–30 percent of the ink volume. Qualities such as hue, saturation, and lightness vary depending on the source and type of pigment. Dyes Main article: Dye Dye-based inks are generally much stronger than pigment-based inks and can produce much more color of a given density per unit of mass. However, because dyes are dissolved in the liquid phase, they have a tendency to soak into paper, making the ink less efficient and potentially allowing the ink to bleed at the edges of an image. To circumvent this problem, dye-based inks are made with solvents that dry rapidly or are used with quick-drying methods of printing, such as blowing hot air on the fresh print. Other methods include harder paper sizing and more specialized paper coatings. The latter is particularly suited to inks used in non-industrial settings (which must conform to tighter toxicity and emission controls), such as inkjet printer inks. Another technique involves coating the paper with a charged coating. If the dye has the opposite charge, it is attracted to and retained by this coating, while the solvent soaks into the paper. Cellulose, the wood-derived material most paper is made of, is naturally charged, and so a compound that complexes with both the dye and the papers surface aids retention at the surface. Such a compound in common use in ink-jet printing inks is usually used. An additional advantage of dye-based ink systems is that the dye molecules interact chemically with other ink ingredients. This means that they can benefit more than pigmented ink from optical brighteners and color-enhancing agents designed to increase the intensity and appearance of dyes. Because dyes get their color from the interaction of electrons in their molecules, the way the electrons can move is determined by the charge and extent of electron delocalization in other ink ingredients. The color emerges as a function of the light energy that falls on the dye. Thus, if an optical brightener or color enhancer absorbs light energy and emits it through or with the dye, the appearance changes, as the spectrum of light re-emitted to the observer changes. A more recent development in dye-based inks are dyes that react with cellulose to permanently color the paper. Such inks are not affected by water, alcohol, and other solvents.needed As such, their use is recommended to prevent frauds that involve removing signatures, such as check washing. This kind of ink is most commonly found in gel inks and in certain fountain pen inks.needed History
Ink drawing of Ganesha under an umbrella (early 19th century). Ink, called masi, an admixture of several chemical components, has been used in India since at least the 4th century BC. The practice of writing with ink and a sharp pointed needle was common in early South India. Several Jain sutras in India were compiled in ink. Many ancient cultures around the world have independently discovered and formulated inks for the purposes of writing and drawing. The knowledge of the inks, their recipes and the techniques for their production comes from archaeological analysis or from written text itself. The history of Chinese inks can be traced back to the 18th century BC, with the utilization of natural plant (plant dyes), animal, and mineral inks based on such materials as graphite that were ground with water and applied with ink brushes. Evidence for the earliest Chinese inks, similar to modern inksticks, is around 256 BC in the end of the Warring States Period and produced from soot and animal glue. The India ink used in ancient India since at least the 4th century BC was called masi, and was made of burnt bones, tar, pitch, and other substances. Indian documents written in Kharosthi with ink have been unearthed in Chinese Turkestan. The practice of writing with ink and a sharp pointed needle was common in early South India. Several Jain sutras in India were compiled in ink. In ancient Rome, atramentum was used. In an article for the Christian Science Monitor, Sharon J. Huntington describes these other historical inks: About 1,600 years ago, a popular ink recipe was created. The recipe was used for centuries. Iron salts, such as ferrous sulfate (made by treating iron with sulfuric acid), were mixed with tannin from gallnuts (they grow on trees) and a thickener. When first put to paper, this ink is bluish-black. Over time it fades to a dull brown. Scribes in medieval Europe (about AD 800 to 1500) wrote principally on parchment or vellum. One 12th century ink recipe called for hawthorn branches to be cut in the spring and left to dry. Then the bark was pounded from the branches and soaked in water for eight days. The water was boiled until it thickened and turned black. Wine was added during boiling. The ink was poured into special bags and hung in the sun. Once dried, the mixture was mixed with wine and iron salt over a fire to make the final ink. The reservoir pen, which may have been the first fountain pen, dates back to 953, when Maād al-Muizz, the caliph of Egypt, demanded a pen that would not stain his hands or clothes, and was provided with a pen that held ink in a reservoir. In the 15th century, a new type of ink had to be developed in Europe for the printing press by Johannes Gutenberg. Two types of ink were prevalent at the time: the Greek and Roman writing ink (soot, glue, and water) and the 12th century variety composed of ferrous sulfate, gall, gum, and water. Neither of these handwriting inks could adhere to printing surfaces without creating blurs. Eventually an oily, varnish-like ink made of soot, turpentine, and walnut oil was created specifically for the printing press. Health and environmental aspects
See also: Environmental issues with paper There is a misconception that ink is non-toxic even if swallowed. Once ingested, ink can be hazardous to ones health. Certain inks, such as those used in printers, and even those found in a common pen can be harmful. Though ink does not easily cause death, inappropriate contact can cause effects such as severe headaches, skin irritation, or nervous system damage. These effects can be caused by solvents, or by pigment ingredients such as p-Anisidine, which helps create some inks color and shine. Three main environmental issues with ink are: Volatile organic compounds Heavy metals Non-renewable oils Some regulatory bodies have set standards for the amount of heavy metals in ink. There is a trend toward vegetable oils rather than petroleum oils in recent years in response to a demand for better environmental sustainability. Writing and preservation
The two most used black writing inks in history are carbon inks and iron gall inks. Both types create problems for preservationists. Carbon
Chinese inkstick; carbon-based and made from soot and animal glue. Carbon inks were commonly made from lampblack or soot and a binding agent such as gum arabic or animal glue. The binding agent keeps the carbon particles in suspension and adhered to paper. The carbon particles do not fade over time even when in sunlight or when bleached. One benefit of carbon ink is that it is not harmful to the paper. Over time, the ink is chemically stable and therefore does not threaten the strength of the paper. Despite these benefits, carbon ink is not ideal for permanence and ease of preservation. Carbon ink has a tendency to smudge in humid environments and can be washed off a surface. The best method of preserving a document written in carbon ink is to ensure it is stored in a dry environment (Barrow 1972). Recently, carbon inks made from carbon nanotubes have been successfully created. They are similar in composition to the traditional inks in that they use a polymer to suspend the carbon nanotubes. These inks can be used in inkjet printers and produce electrically conductive patterns. Iron gall Iron gall inks became prominent in the early 12th century; they were used for centuries and were widely thought to be the best type of ink. However, iron gall ink is corrosive and damages the paper it is on (Waters 1940). Items containing this ink can become brittle and the writing fades to brown. The original scores of Johann Sebastian Bach are threatened by the destructive properties of iron gall ink. The majority of his works are held by the German State Library, and about 25% of those are in advanced stages of decay (American Libraries 2000). The rate at which the writing fades is based on several factors, such as proportions of ink ingredients, amount deposited on the paper, and paper composition (Barrow 1972:16). Corrosion is caused by acid catalysed hydrolysis and iron(II)-catalysed oxidation of cellulose (Rouchon-Quillet 2004:389). Treatment is a controversial subject. No treatment undoes damage already caused by acidic ink. Deterioration can only be stopped or slowed. Some think it best not to treat the item at all for fear of the consequences. Others believe that non-aqueous procedures are the best solution. Yet others think an aqueous procedure may preserve items written with iron gall ink. Aqueous treatments include distilled water at different temperatures, calcium hydroxide, calcium bicarbonate, magnesium carbonate, magnesium bicarbonate, and calcium phytate. There are many possible side effects from these treatments. There can be mechanical damage, which further weakens the paper. Paper color or ink color may change, and ink may bleed. Other consequences of aqueous treatment are a change of ink texture or formation of on the surface of the ink (Reibland & de Groot 1999). Iron gall inks require storage in a stable environment, because fluctuating relative humidity increases the rate that formic acid, acetic acid, and furan derivatives form in the material the ink was used on. Sulfuric acid acts as a catalyst to cellulose hydrolysis, and iron (II) sulfate acts as a catalyst to cellulose oxidation. These chemical reactions physically weaken the paper, causing brittleness. Indelible ink
Indelible means "un-removable". Some types of indelible ink have a very short shelf life because of the quickly evaporating solvents used. India, Mexico, Indonesia and other developing countries have used indelible ink in the form of electoral stain to prevent electoral fraud. The Election Commission in India has used indelible ink for many elections. Indonesia used it in their last election in Aceh. In Mali, the ink is applied to the fingernail. Indelible ink itself is not infallible as it can be used to commit electoral fraud by marking opponent party members before they have chances to cast their votes. There are also reports of indelible ink washing off voters fingers. See also
Blue Wool Scale De-inked pulp Dokumental Election ink Fountain pen inks Gel pen Ink Eradicator Invisible ink Pharmaceutical ink Preservation of illuminated manuscripts Preservation (library and archival science) Soy ink Toner Starks ink Tattoo ink Inksaving typeface References
^ a b c d Kipphan, Helmut (2001), Handbook of print media: technologies and production methods (Illustrated ed.), Springer, pp. 130–144, ISBN 3540673261 ^ a b Banerji, page 673 ^ a b Sircar, page 62 ^ a b Sircar, page 67 ^ 蔡, 玫芬, 二、墨的發展史, National Chang-Hua Hall of Social Education ^ "India ink." in Encyclopædia Britannica. 2008 Encyclopædia Britannica Inc. ^ Sircar, page 206 ^ "Think ink!", Christian Science Monitor, September 21, 2004 ^ CE Bosworth, A Mediaeval Islamic Prototype of the Fountain Pen? Journal of Semitic Studies, 26(2):229-234, 1981 ^ Many recipes for iron gall inks are featured in A booke of secrets: shewing diuers waies to make and prepare all sorts of inke... tr. out of Dutch into Englishe by W.P. William Philip, London, 1596. ^ Canadian Printing Ink Manufacturers Association ^ Simmons, Trevor; Hashim, D; Vajtai, R; Ajayan, PM (2007), "Large Area-Aligned Arrays from Direct Deposition of Single-Wall Carbon Nanotubes", J. Am. Chem. Soc. 129 (33): 10088–10089, doi:10.1021/ja073745e, PMID 17663555. ^ Henk J. Porck and René Teygeler, Preservation Science Survey (Washington, D.C.: Council on Library and Information Resources, 2000). ^ Afghanistan election: indelible ink washes off voters fingers "Think Ink!" by Sharon J. Huntington, Christian Science Monitor, September 21, 2004, retrieved January 17, 2006. "A History of Technology and Invention" by Maurice Audin, page 630. Ainsworth, Mitchell, C., "Inks and Their Composition and Manufacture," Charles Griffin and Company Ltd, 1904. Martín-Gil J, Ramos-Sánchez MC, Martín-Gil FJ and José-Yacamán M. "Chemical composition of a fountain pen ink". Journal of Chemical Education, 2006, 83, 1476–78 Banerji, Sures Chandra (1989). A Companion to Sanskrit Literature. Motilal Banarsidass. ISBN 812080063X. Sircar, D.C. (1996).Indian epigraphy. Motilal Banarsidass. ISBN 8120811666. Sources
This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (May 2009) N.a. (March 2000), "Bach Scores Turning to Dust in German Library", American Libraries: 24–25 Barrow, W.J. (1972), Manuscripts and Documents: Their Deterioration and Restoration, Charlottesville: University of Virginia Press, ISBN 081390408 Reißland, Birgit; de Groot, Suzan (August 15–21, 1999), "Ink Corrosion: Comparison of the Currently Used Aqueous Treatments for Paper Objects", Preprint from the 9th International Congress of IADA, pp. 121–129 Rouchon-Quillet, V.; et al., C.; Bernard, J.; Wattiaux, A.; Fournes, L. (2004), "The Impact of Gallic Acid on Iron Gall Ink Corrosion", Applied Physics A 79 (2): 389–392, doi:10.1007/s00339-004-2541-1 Waters, C.E. (1940), Inks, U.S. Department of Commerce, National Bureau of Standards, United States Government Printing Office Further reading
Cueppers, Christoph (1989). "On the Manufacture of Ink." Ancient Nepal - Journal of the Department of Archaeology, Number 113, August–September 1989, pp. 1–7. Tibetan text and translation of a section of the work called, Bzo gnas nyer mkhoi za ma tog by Jam-mgon Ju Mi-pham-rgya-mtsho (1846–1912) describing various traditional Tibetan techniques of making inks from different sources of soot, and from earth, puffballs, dung, ser-sha - a yellow fungus, and the fruit of tsi dra ka (Ricinus communis). External links
Forty Centuries of Ink (David N. Carvalho); A detailed online textbook Roman ink article by Alexander Allen In Smiths Dictionary Greek and Roman Antiquities (1875), in LacusCurtius Ancient and Modern Ink Recipes (David N. Carvalho) Gorgeous Portrayal Of How Ink Is Made - video at The Huffington Post View page ratings Rate this page Whats this? Trustworthy Objective Complete Well-written I am highly knowledgeable about this topic (optional)
Submit ratings Categories: InksPrinting materials 1- اسب، باره، راحله، سواري
2- كشتي بسيط
1- تركيب يافته، تشكيل شده
2- جوهر compound, composite, composed, multiplex, mazy, implicate, entangled, intricate مركب، مجمع مبان، كلمة مركبة، مكينة مركبة، المنحوتة كلمة منحوتة من كلمتين، رقعة أرض واسعة، زاد، اتفق، ضاعف، سوى، وافق، مُجَمَّع kompozit composite zusammengesetzt compuesto composito جسم مرکب، چند جزئی، لفظ مرکب، چیز مرکب، ترکیب شده، خونسرد، ارام، مصنف، متعدد، چندتایی، گیج، ژولیده، پیچیده، بغرنج، درهم و برهم
مركب|مجمع مبان , كلمة مركبة , مكينة مركبة , المنحوتة كلمة منحوتة من كلمتين , رقعة أرض واسعة , زاد , اتفق , ضاعف , سوى , وافق , مُجَمَّع
تشریح نگارش (هوش مصنوعی)
کلمه مرکب در زبان فارسی به کلماتی اطلاق میشود که از ترکیب دو یا چند کلمه مستقل به وجود آمدهاند. در نگارش و استفاده از کلمات مرکب، چند نکته و قاعده وجود دارد که در زیر به آنها اشاره میشود:
نحوه نوشتن: کلمات مرکب معمولاً به صورت یکجا نوشته میشوند. برای مثال، "کتابخانه" و "دوچرخه" از ترکیب دو کلمه به وجود آمدهاند و به صورت یک کلمه نوشته میشوند.
فاصلهگذاری: در برخی موارد که ترکیب دو کلمه به صورت ترکیب اسمی یا صفاتی است، معمولاً باید بین آنها فاصله باشد. مثلاً "بسیاری از" یا "چندین نفر".
تکیهگذاری: در برخی کلمات مرکب، بخش اول ممکن است به عنوان صفت یا قید عمل کند. به عنوان مثال، در "ساعتسنج" (که به دستگاه اندازهگیری زمان اشاره دارد) "ساعت" به عنوان صفت عمل میکند.
تغییر معنایی: با ترکیب کلمات ممکن است معنی متفاوتی ایجاد شود. برای مثال، "آبنما" به معنی نماد یا نمایی از آب است و با "آب" و "نما" به صورت جداگانه معنای خاصی دارند.
قواعد همنوایی و همخوانی: در ترکیب کلمات مرکب، باید به همخوانی و تطابق صداها نیز توجه شود تا کلمه به صورت روان تلفظ شود.
پیوستها و پسوندها: در برخی موارد، میتوان به کلمات مرکب پسوند یا پیشوند اضافه کرد. مثلاً "کتابخانه" + "ای" (کتابخانهای) برای توصیف یا تأکید بیشتر.
با توجه به این نکات، میتوان به درستی از کلمات مرکب در نوشتار و گفتار استفاده کرد.
مثال برای واژه (هوش مصنوعی)
قلمی که روزنامهنگاران استفاده میکنند، معمولاً مرکب خوبی دارد که نوشتهها را واضح و خوانا میسازد.
در کارگاه هنر، از مرکبهای مختلف برای نقاشی استفاده میکنیم تا به طرحهای زیبایی دست پیدا کنیم.
مرکبهای رنگی میتوانند به هر اثر هنری احساسی تازه و زنده ببخشند.
واژهنامه آزاد
واژگان مرتبط: جسم مرکب، چند جزئی، لفظ مرکب، چیز مرکب، ترکیب شده، خونسرد، ارام، مصنف، متعدد، چندتایی، گیج، ژولیده، پیچیده، بغرنج، درهم و برهم
